Here are 144 total profiles pulled from a Mike Fortin modded JVM Marshall. They are divided into two sets - Clean/crunch and Overdrive, and there are 72 in each set.
Cabinet used is a 1992 Dual Rectifier Armored Cab - heavy in more ways than one, and a very early example of the species.
Clean/Crunch runs the gamut from crystal cleans (yes, this amp has great clean tones!) to vintage levels of gain to 80s rock tones. It also includes one set of profiles that include the use of a Voodoo Labs 'Giggity' pedal that give it a smoother tone for leads and creamy rhythms. This set is more classic marshall and more 'squishy' feeling. Each amp setting is documented with a photo of the amp, and then eight different microphone combinations are used:
AT is an Audio Technica 4035
57 is a vintage Sennheiser SM57 (Unidyne III)
57A is a newer Sennheiser SM57, angled at 45degrees
609 is an e609 Sennheiser Silver
i5 is an Audix i5
PR20 is a Heil PR20
Rbn is a MXL R144 Ribbon microphone
R + PR is the MXL R144 combined with the PR30
Overdrive is the gain train. From scooped cabinet thumping rhythms to effortless sustain and feedback, this is a great profile set for modern tones. It's not all just facemelting thrash, there are also some milder overdrives but no clean tones to be found here.
I divided the profiles out because some are just going to want to have Fortin's take on modern high gain, but his clean and vintage/early style gain tones are also noteworthy and unique. For $20 you can have the entire Fortin Marshall encyclopaedia of tone, or pick the set that matches your needs.
Cabinet used is a 1992 Dual Rectifier Armored Cab - heavy in more ways than one, and a very early example of the species.
Clean/Crunch runs the gamut from crystal cleans (yes, this amp has great clean tones!) to vintage levels of gain to 80s rock tones. It also includes one set of profiles that include the use of a Voodoo Labs 'Giggity' pedal that give it a smoother tone for leads and creamy rhythms. This set is more classic marshall and more 'squishy' feeling. Each amp setting is documented with a photo of the amp, and then eight different microphone combinations are used:
AT is an Audio Technica 4035
57 is a vintage Sennheiser SM57 (Unidyne III)
57A is a newer Sennheiser SM57, angled at 45degrees
609 is an e609 Sennheiser Silver
i5 is an Audix i5
PR20 is a Heil PR20
Rbn is a MXL R144 Ribbon microphone
R + PR is the MXL R144 combined with the PR30
Overdrive is the gain train. From scooped cabinet thumping rhythms to effortless sustain and feedback, this is a great profile set for modern tones. It's not all just facemelting thrash, there are also some milder overdrives but no clean tones to be found here.
I divided the profiles out because some are just going to want to have Fortin's take on modern high gain, but his clean and vintage/early style gain tones are also noteworthy and unique. For $20 you can have the entire Fortin Marshall encyclopaedia of tone, or pick the set that matches your needs.
Fortin Clean and Crunch profiles downloadImmediate download of the Fortin modded Marshall JVM clean and crunch profiles
|
Here are some crunch tones - three guitars total, each playing different parts, so nothing is layered. Used a PRS McCarty for each track, bridge humbuckers on the two main parts, and neck split to single coil for the third guitar that comes in.
|
Fortin Overdrive profiles downloadImmediate download of the Fortin overdrive profile pack!
|
Here are some face melting rhythm tones. One guitar, then a crystal clean guitar on the chorus, then lead guitar. No layering of guitars for a fatter tone was used. The clean guitar track used a profile from the clean/crunch set above, but the rhythm and lead was done with profiles from the overdrive set.
|